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James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity

James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity

In James Baldwin, Toni Morrison, and the Rhetorics of Black Male Subjectivity, Aaron Ngozi Oforlea explores the rhetorical strategies that Baldwin's and Morrison's black male characters employ as they negotiate discourses of race, class, gender, and sexuality. According to Oforlea, these characters navigate a discursive divide that separates limiting representations of black males in dominant discourses from a decolonized and empowered subjectivity. Specifically, the discursive divide creates an invisible boundary between how black subjects are seen, imagined, and experienced in dominant culture on the one hand, and how they understand themselves on the other. 

Oforlea's book offers new analyses of the character dynamics in Baldwin's Go Tell It on the Mountain, Tell Me How Long the Train's Been Gone, and If Beale Street Could Talkand Morrison's Beloved, Song of Solomon, and Tar Baby. The black male characters in these novels encounter the discursive divide, or a cultural dissonance, when they encounter dominant representations of black male identities. They use these opportunities to construct a counter-discourse about black male subjectivity. Ultimately, Oforlea argues, these characters are strategic about when and how they want to appropriate and subvert dominant ideologies. Their awareness that post-racial discourses perpetuate racial inequality serves as a gateway toward participation in collective struggles for racial justice.


Author: Aaron Ngozi Oforlea
Publisher: Ohio State University Press
Published: 03/21/2017
Pages: 278
Binding Type: Hardcover
Weight: 1.05lbs
Size: 9.20h x 6.20w x 0.80d
ISBN: 9780814213285

About the Author
Aaron Ngozi Oforlea is Associate Professor of English at Washington State University, Pullman.

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